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The passage below is accompanied by a set of questions. Choose the best answer to each question.
One example of a multi-residence building from the ancient world was the Roman insula, or “apartment block.” While not as grand or luxurious as the domus (a private, single-family townhouse), multi-story insulae were important structures in crowded Roman cities. In a time before elevators, ground-floor and lower-level apartments were the most desirable. But while the idea that a Roman insula could rise as many as ten-to-twelve stories high may have taken hold in popular culture, anthropologist Glenn R. Storey points out that historical evidence doesn’t back up this assumption. He explains that this view “comes mostly from anecdotal written descriptions about Rome and other Roman cities” and that the “archaeological evidence for tall buildings in the Roman world is in reality very sparse.” Most material evidence places insulae at around four-to-five stories tall. The ruins of Case a Giardino in Ostia, Italy, supports this, as do the remains of other structures, such the Insula dell’Ara Coeli, within Rome itself.
Spinning the globe a bit, we arrive at the ancient city of Teotihuacan, outside present-day Mexico City. Teotihuacan was full of apartment compounds at its peak. The compounds were an essential part of Teotihuacan’s urban fabric, allowing a population of up to 200,000 people to live compactly within the city. While these may have looked a bit different than what we think of as apartments today, evidence shows that these structures “generally consist[ed] of several rooms at slightly different levels, arranged around open spaces (courtyards, refuse areas, and light wells) that serve[d] as places for ritual, rainwater collection, partial refuse disposal, and light provision,” explains archaeologist Linda R. Manzanilla. It’s believed that these apartments were shared by those either connected through kinship or through occupation.
In more recent times, apartments have been used as tools to clean-up and revitalize a city’s urban landscape. Georges-Eugène Haussmann’s urban plan for Paris, initiated in 1853, is a well-cited example of this. Hired by Napoléon III, Haussmann was granted wide authority to redesign Paris in his vision, as many—particularly those in power—found the city far too crowded and dirty. He widened the streets, making grand boulevards lined with the iconic “Haussmann buildings.” Standing as tall as six stories, these large structures with mansard roofs provided modern apartments while, along with the broad streets, gave Paris a visual unity—along with giving ample subject matter to the Impressionists for their paintings!
The passage describes the compounds as having multiple purposes, such as light provision, ritual use, and rainwater collection.
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